LILY BALDWIN

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FILM

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PERFORMANCE & CHOREO

PRESS

TEACHING

EDUCATION

STORIES OF THE STALKED
6 part podcast series for Audible, produced by Ventureland, and Feast Collective
Nominated for Peabody Awards, ARIA Awards, Audio Production Awards, Rose D'or Awards

TERRAIN
La Biennale di Venezia VR Expanded (World Premiere)

THROUGH YOU
Sundance Film Festival (World Premiere), SF International Film Festival, World VR Forum, Nantucket Film Festival, Ann Arbor Film Festival, Raindance Film Festival (award-winner), San Francisco Dance Film Festival, Watershed, Phi Centre, AFI Fest

QUICK SLICE
New York Live Arts, Flux Factory

SWALLOWED / COLLECTIVE UNCONSCIOUS
Criterion Channel, SXSW (World Premiere), BAMcinemaFest, Montclair Film Festival, Maryland Film Festival, Palm Springs ShortFest, Women of Cinefamily curated by Chris Kraus, Vimeo Staff Pick

SLEEPOVER LA
SXSW (World Premiere), Berlinale EFM, Cucalorus, Vimeo Staff Pick, Short of the Week

A JUICE BOX AFTERNOON
Lincoln Center (World Premiere), Dance on Camera Tour, Filmmaker Magazine

SEA MEADOW
SXSW (World Premiere), Miami Art Basel, V&A Museum, Aesthetica Short Film Festival (award-winner) Academy-Qualifying theatrical run

MISTY COPELAND
Carnegie Hall, NYC

NYSCA FY 2023 Grantee, 2023

PEABODY AWARDS Nominee for Podcast & Radio, 2023

RADIO ACADEMY ARIA Awards Nominee for Creative Innovation Award, 2023

GLOGAUAIR Online Artist Resident, 2023, Fellow

ROSE D’OR AWARDS

AUDIO PRODUCTION AWARDS Nominee for Best New Voice, 2022

CREATIVE CAPITAL Shortlist, 2022

SUNDANCE INSTITUTE INTERDISCPLINARY PROGRAM Grantee

SUNDANCE INSTITUTION NEW FRONTIER / JAUNT VR Residency

ACADEMY AWARD Qualifying Theatrical Run

WAVE FARM MEDIA ARTS Assistance Fund Individual Artist Grantee

INDEPENDENT MAGAZINE’s 10 Filmmakers to Watch

SHORTSHD Top 10 Emerging Filmmakers to Watch

TRIBECA FILM FESTIVAL Juror for Storyscapes Competition

TRIBECA FILM INSTITUTE Juror for Our City, Our Story Competition

GLAMOUR MAGAZINE's Women in Hollywood Roundtable Discussion Panelist

SXSW Grand Jury Award Narrative Feature Nominee

DEVLAB VR Creator and Fellow for Oculus & Kaleidoscope

OUTFEST Panelist

ALMANACK SCREENWRITERS COLONY Fellow

GUILD OF FUTURE ARCHITECTS

BURIED
Dancer in short film by Nat Gee, premiered at the Miami Film Festival

WAVES
Dancer in short film by Nat Gee, premiered at the Maryland Film Festival

EVERYTHING THAT HAPPENS WILL HAPPEN TODAY
Dancer in the World Tour with David Byrne and Brian Eno, choreographed by Annie B. Parson, Robbinschild, and Noémie Lafrance

METROPOLITAN OPERA BALLET
Dancer in LES TROYENS, LE SACRE DE PRINTEMPS, and MOSES UND ARON, choreographed by Doug Varone

PARTHENON
Actor in short film directed by Frank Mosley, co-starring Tallie Medel

SUTPHIN BOULEVARD
Choreographer and dancer for music video for Blood Orange / Devonte Hynes

TRISHA BROWN DANCE COMPANY
Dancer in SPANISH DANCE

PERFORMA 09
Choreographer for opening event at Times Square NYC in collaboration with Arto Lindsay

FAYE DRISCOLL
Dancer in COLD BLOODED OLD TIME, LEZ SIDE STORY, WOW MOM, WOW, and EYES EYES EYES

NETTA YERUSHALMY
Dancer in ROOMS WITHOUT A VIEW

DAVID NEUMANN
Dancer in FEED FORWARD

THE GUARDIAN, 2022
“Illusory sound design transports the listener into the midst of the experience.”

FORBES MAGAZINE, 2022
“Raw, immersive and harrowing—transporting the listener into the heart of the experience.”

JEZEBEL, 2022
“Disrupting popular narratives about stalkers and their victims.”

FILMMAKER MAGAZINE, 2022
"A different sort of work, one that’s both activist as well as containing the emotional complexity of a great literary memoir.”

PILLOW VOICES, 2022
“Looking at the power of dance as a subterranean communication [that allows people to] hear music better through movement.”

RAVELIN MAGAZINE, 2020
“[Baldwin’s] first movies are gorgeous pieces of visual and kinetic art.”

THE NEW YORK TIMES, 2017
“Movement and gesture take possession of the viewer in a way that, for me at least, has never been replicated.”

INTERVIEW MAGAZINE, 2017
“[Baldwin, Troche, and Unseld] challenge the restrictions placed on 360 filmmakers, from the label of “narrative” and whether such a thing is or isn’t possible in VR, to the question of cutting scenes.”

THE INDEPENDENT, 2017
“At the forefront of storytelling.”

DANCE MAGAZINE, 2017
“The perfect vehicle for dance.”

THE CRITERION CHANNEL, 2017
“How can we articulate bodies in motion in relationship to the lens?”

THE NEW YORK TIMES, 2016
“An extraordinary and scary short film by Lily Baldwin, whose work has a visceral power similar to [David] Cronenberg’s [THE BROOD], but with an anxious female perspective.”

VICE, 2016
“Radical cinematography.”

THE NEW YORK TIMES, 2015
“The genre needs directors who are willing to look beneath the surface and to dream, as Lily Baldwin does in her adroit, wry short.”

TIMEOUT, 2015
"In this hypnotic film, dance is used as a diaphanous storytelling tool, in which the dreamy narrative is at the service of the choreography; movement wafts through."

VICE, 2015
“Baldwin uses body movement and choreography to push the narrative.”

FLUX MAGAZINE, 2012
“The Fellini-chic Sea Meadow ... demonstrate[s] the power of minimal dialogue.”

UNIVERSITY OF SOUTHERN CALIFORNIA, 2022
Guest artist, Media Arts + Practice; Cinema and Media Studies Divisions

ELECTRIC SOUTH, 2022
VR and 360 video teaching consultant

PRATT INSTITUTE, 2020
Guest Artist in Professional Practice

UNIVERSITY OF MICHIGAN, 2018
Guest Artist at for BFA Dance Department

SCHOOL OF VISUAL ARTS, 2017
Guest Artist for the Masters in Directing Program

JACKSONVILLE UNIVERSITY, 2017
Guest Artist at for MFA Choreography Program

JOHN HOPKINS UNIVERSITY, 2017
Mentor for Saul Zaentz Innovation Fund in Film & Media

UNIVERSITY OF MICHIGAN
Summa Cum Laude, BFA in Dance, Minor in Art History

LILY BALDWIN

KALEIDESCOPIA